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these
photographs may not be reproduced or used in any manner without prior
written permission from julius
cisek.
|
November 1998
(click on images for larger versions)
| as with "speed
queen" this was bijan's idea. he saw a bus with some wild
techno looking ad on it and wanted to take pictures of the bus with the
markings.
we never found that particular
bus but got some good stuff anyway.
once again our undercover
story was "school project" but despite his masterful grasp on human relations,
bij was unable to convince the workers at the depot to let us wonder around.
"go to the main office downtown
sf and get a permit" we were told.
so of course we went in anyway,
mostly staying around the edges and using the telephotos.
bijan had the pentax, and
i used the canon.
the catenary is extremely
interesting but it was next to impossible to get a good shot that captured
it's complexity. we both tried, wasting much film. the four
shown were taken by bijan. he also snapped the excellent picture
of the bus driver in 7015 leaning into the turn and then the back of it
is went past.
eventually some worker came
over to yell at us.
"you can't just take pictures
here without a permit".
"look, we're not even inside
the perimeter".
"i'm sorry but those are
the rules".
i guess we looked too old
to be students and just old enough to be journalists (i think we are too
young to be mistaken for a team of insurance claims investigators) possibly
researching some nasty story about pollution, mismanagement, or maybe we
were spies, eager to steal the secrets of the portrero area muni bus depot
and selling them to to the enemy.
anyway, it didn't stop us
from getting some interesting material.
when we were done it turned
out bijan had accidentally switched the pentax into b-mode and overexposed
half the film. so we should probably get back there again in the
future and see what he comes up with.
it was an early morning for me and i had been up all night looking for the remnants of the leonids so I went home and slept all day. morning light really does make a difference. too bad i rarely see it. |
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| Films
used:
Fuji Astia 100 Fuji Super 800G |
Cameras:
Canon Elan IIe Pentax K1000 |
Lenses:
Vivitar 19mm f3.5 Kalimar 28mm-200mm f3.5-4.5 Canon EF 28mm-105mm f3.5-4 Canon EF 75mm-300mm f4.5-5.6 IS |